集嶼 ?李金輝 JOYS ?Li Jinhui

集嶼 ?一乘建筑 JOYS ?Onexn Architects

“建筑意味著把一個(gè)場(chǎng)地轉(zhuǎn)變成具有特定性格與意義的場(chǎng)所。設(shè)計(jì)就是造就場(chǎng)所。換句話說(shuō)，場(chǎng)所是有清晰特性的空間，人必須要能體驗(yàn)到環(huán)境是充滿意義的?！?br /> 諾伯爾·舒爾茨《場(chǎng)所精神-邁向建筑現(xiàn)象學(xué)》

“Architecture means to transferring a site to a place of distinct character and meaning. Design is to create places. In other words, a place is a space which has a distinct character. Man can experience the environment as meaningful.”
—Genius Loci: Towards a Phenomenology of Architecture
by Christian Norberg-Schulz

01
范式：小尺度與大城市
Paradigm: a small space in big city

9㎡的集嶼，是這座城市里，一種新的空間范式的提煉。它并不因其小而匱乏深度，它孕育著理想、思想、生活、文化、和鄰里這些要素。9㎡，針對(duì)的是城市快速發(fā)展中，稀缺的一種空間尺度，它和藍(lán)圖、速度、宏偉無(wú)關(guān)，它是一種小而輕的空間敘事，容易忽視但不可或缺。建筑師在空間現(xiàn)實(shí)和社會(huì)意義層面找到了介入的視角，9㎡讓人和人相互靠近并獲得存在的真實(shí)感。
Occupying 9 square meters, JOYS is a new space paradigm in the city. It’s small, but doesn’t lack depth, since it’s the integration of ideals, thoughts, cultures, and neighborhood. 9 square-meters is a scarce small spatial scale in the city undergoing rapid development. It has nothing to do with blueprint, speed or magnificence, but is about a small spatial narrative that is easy to be ignored but indispensable. We identified a perspective of intervention by taking into consideration both spatial reality and social significance, intending to endow the 9-square-meter space a sense of existence and enable it to bring people closer.

《癲狂的紐約》雷姆·庫(kù)哈斯（圖源網(wǎng)絡(luò)）
Delirious New York by Rem Koolhaas (image from the Internet)

《癲狂的紐約》，這本給曼哈頓補(bǔ)寫(xiě)的宣言寫(xiě)到：宣言的致命弱點(diǎn)是與生俱來(lái)的證據(jù)缺失，曼哈頓的問(wèn)題恰恰相反，它有堆積如山的證據(jù)，卻沒(méi)有宣言。集嶼，在快速的大背景下，作為一種帶有理想和關(guān)懷的空間載體最終落地，它為城市日漸衰退的社區(qū)氛圍，做出了一定詮釋和補(bǔ)充。
In Delirious New York, a retroactive manifesto for Manhattan, it reads that “The fatal weakness of manifesto is their inherent lack of evidence. Manhattan’s problem is the opposite: it is a mountain range of evidence without manifesto.”Under the backdrop of rapid urban development, JOYS, as a space that carries ideals and care, was eventually implemented as an interpretation and supplement of the community atmosphere that has been on the decline.

《找回趣味之城》?一乘建筑 “”Recapture the Interest of City” ?Onexn Architects

《找回趣味之城》在描繪城市里的大街小巷，我們想尋找雅各布斯寫(xiě)過(guò)的街道尺度和鄰里安全監(jiān)督的意義，這些空間不像那種街塊簇?fù)硐?，覆蓋著層層建筑魅影的都市意向，它們有自己的個(gè)性和張力，或是公共空間、或是可觸可及的景觀屋面，而集嶼就在這其中。
In the drawing ”Recapture the Interest of City”, we depicted the avenues and alleys in cities, and tried to look for the street scale and the significance of neighborhood safety supervision which Jane Jacobs wrote about. Unlike those street blocks that are covered by building shadows, the spaces outlined in this drawing are endowed with their own features and tension, either being public spaces or landscape rooftops that are visible and accessible. Joys is part of them.

02
公共空間：一種非剛需的空間類型
Public space: a ”non-essential” space type

區(qū)位圖 ?一乘建筑 Location diagram ?Onexn Architects

集嶼位于建成于上世紀(jì)90年代的香蜜三村，近20年的變遷更迭中，陳舊的社區(qū)硬件加速了活力的喪失，激增的路面車(chē)位不斷占用著這個(gè)社區(qū)的底層公共空間。
JOYS is located in Xiangmi Third Village that was built in the 1990s. Over the past 20 years, the neighborhood has undergone the loss of vitality, which was accelerated by the obsolete community facilities. In addition, the ground floor public space of the community has been occupied by the surging above-ground parking area.

公共空間分析 ?一乘建筑 Urban space analysis diagram ?Onexn Architects

我們見(jiàn)過(guò)公共綠地更改性質(zhì)建設(shè)高樓，這種公共空間的“擠占”實(shí)際上比比皆是。因此這一次實(shí)踐，我們和業(yè)主的其中一個(gè)共同目標(biāo)就是，在滿足功能的前提下去還原一個(gè)公共性的節(jié)點(diǎn)，要在縫隙中創(chuàng)作。
We have seen public greening plots are rezoned for high-rise development. Such cases in which public space is occupied by other purposes can be found everywhere. Therefore, as approaching this project, one of the goals that we shared with our client was to restore a public node on the premise of meeting functional needs. We had to create within the 9-square-meter narrow space.

公共空間分析 ?一乘建筑 Urban space analysis diagram ?Onexn Architects

社區(qū)商業(yè)構(gòu)成研究 ?一乘建筑 Overview of business types in the community ?Onexn Architects

03
策略：想象建筑融入在場(chǎng)所中的樣子
Strategy: imagine an ”building” integrated into the site

集嶼的前身是一個(gè)社區(qū)空調(diào)維修店，踏勘現(xiàn)場(chǎng)的時(shí)候我們發(fā)現(xiàn)許多空調(diào)零部件及油污散落在入口前，大家會(huì)有意的避讓開(kāi)這個(gè)區(qū)域，到干洗店取衣服或到藥店取藥。居民沒(méi)有太多地方可以停留，場(chǎng)所的感受更多是雜糅的或是消失的和模糊的。鄰里之間不缺乏連接，但缺乏真正的聯(lián)系。
The original space was a community-based air conditioner repair shop. The first time we inspected the site, we found many air-conditioning parts and oil stains were scattered in front of the entrance, so people had to detour to pick up clothes from the laundry or take medicines from the pharmacy next to the repair shop. There is limited space where residents can stay since the site leaves a mingled, neglected or blurred impression. The neighbors are connected in daily life, but what lacks is emotional connection.

改造前 ?一乘建筑 Before transformation ?Onexn Architects

改造后 ?李金輝 After transformation ?Li Jinhui

設(shè)計(jì)開(kāi)展最難的部分不是來(lái)自于項(xiàng)目自身的挑戰(zhàn)，而是來(lái)自于左右鄰居施工中不解的“問(wèn)候”，不過(guò)這些分歧都在施工的過(guò)程中逐一的化解，正如集嶼的“嶼”字的寓意一樣，這里最終成為了大家喜歡的島嶼。
As approaching the design, the most challenging part was not the project itself, but the misunderstandings from the neighbors. However, disagreements were resolved one by one during the construction process, hence eventually making JOYS a place that brings happiness to everyone, just as its name indicates.

空間原狀 ?一乘建筑 Original spatial pattern ?Onexn Architects

面對(duì)寬度不足三米的狹長(zhǎng)型場(chǎng)地，我們需要抓住主要矛盾，就是如何讓大家在遠(yuǎn)處可以輕易的看到我們，在內(nèi)部亦可以得到舒適的體驗(yàn)。
The site is linear and narrow, with a width of less than three meters. The key was to figure out how to make it easily visible from afar while at the same time creating pleasing experience inside the space.

功能軸側(cè)分解圖 ?一乘建筑 Axonometric diagram ?Onexn Architects

在建構(gòu)的整體策略當(dāng)中，最核心的是立面門(mén)頭的整體考慮。內(nèi)部定制的置物架與夾層，提升了空間使用效率。
The storefront, i.e. the facade, was given top priority in the overall configuration of structures. In the interior, the utilization efficiency of space was enhanced via customized shelves and the mezzanine.

04
立面：過(guò)度與消解
Facade: transition and dissolving
立面的構(gòu)成邏輯，猶如一個(gè)建筑裝置，嵌入到這個(gè)空間單元。立面的外延是一個(gè)屋檐的設(shè)計(jì)，象征著從城市回到家的感覺(jué)，向內(nèi)則是一段弧線的吊頂，進(jìn)一步消解和讓人放松下來(lái)。
The facade is just like an installation that is embedded into the space. The eave is its extension, symbolizing the sentiment of returning home from the city. The inward-facing part of the ”installation” is a curved suspended ceiling, which dissolves into the interior and relaxes customers.

模型 ?一乘建筑 Model ?Onexn Architects

遠(yuǎn)眺這個(gè)空間的第一印象，就是屋檐和它并不喧嘩的質(zhì)感，空間以親和的姿態(tài)敞向社區(qū)，形成了一個(gè)客廳式的空間場(chǎng)所記憶。我們將原本厚重低矮的燈箱拆除后，空間的前場(chǎng)變得輕盈與開(kāi)闊，這里是使得心理產(chǎn)生過(guò)渡變化的一個(gè)重要區(qū)域。
Observing JOYS from afar, people will firstly impressed by its eave and the tranquil atmosphere. The space is open to the community, like a living room that creates memory. After the original heavy and low light box was removed, the front field of the space becomes more spacious and expansive, leaving room for the transition of emotion.

建筑裝置式的立面設(shè)計(jì) ?一乘建筑 Installation-like facade ?Onexn Architects

向內(nèi)部空間延伸的弧形吊頂，以入口玻璃門(mén)的頂點(diǎn)，順勢(shì)延伸至內(nèi)部空間的最高點(diǎn)。既消解了內(nèi)部空間窄和高的局促感，也給這個(gè)空間帶來(lái)一絲神秘和儀式性的感受。
The curved suspended ceiling extends from the top of the glass door to the apex of the internal space. It mitigates the oppressive feeling in this cramped and high space and brings a sense of mystery and ritual to it as well.

內(nèi)部空間的弧形吊頂 ?李金輝 Curved suspended ceiling ?Li Jinhui

在這一道門(mén)的內(nèi)外之間，即便當(dāng)大門(mén)是敞開(kāi)的情況下，我們?nèi)钥梢悦黠@的感受到氣氛會(huì)變得安靜和溫暖。
Even when the door remains open, we can definitely feel that the ambience becomes more tranquil and warmer from the outside into the inside of the space.

模型 ?一乘建筑 Model ?Onexn Architects

在施工的過(guò)程中，熱心的鄰居時(shí)常會(huì)幫我們出設(shè)計(jì)方面的主意，起初這種交流我們有點(diǎn)抗拒，但漸漸發(fā)覺(jué)在這樣一種共生的環(huán)境下，能提意見(jiàn)和保持交流更為寶貴，至少這種參與性是可貴的。正如入口右側(cè)的這一道墻的設(shè)計(jì)，我們稱這是一個(gè)順勢(shì)而為的設(shè)計(jì)，也算是和鄰居的合作成果。
During construction, the warm-hearted neighbors would often offer us advice on design ideas, which we resisted initially, but gradually realized that raising opinions and keeping communication in such a symbiotic environment was significant. We believe at least that their participation is valuable. The wall on the right side of the entrance, which we call a spontaneous design, is a cooperative achievement of the neighbors and us.

與鄰居順勢(shì)而為的隔墻 ?李金輝 Partition wall between JOYS and the neighboring space ?Li Jinhui

屋檐的結(jié)構(gòu)既是獨(dú)立的，也是從現(xiàn)狀生長(zhǎng)出來(lái)的?？p紉機(jī)和花池還在原來(lái)的位置，新舊的脈絡(luò)和依存關(guān)系，仍舊良好保留著。
The eave is independent yet naturally “grown” from the whole structure. The sewing machine and the flower bed outside the entrance remain where they were. The order and interdependence of the old and new are well maintained.

集嶼入口 ?李金輝 Entrance ?Li Jinhui

在集嶼進(jìn)入運(yùn)營(yíng)狀態(tài)之后，我們有過(guò)幾次回訪，老板娘始終有條不紊的保持著出品，迎接著著客人，入口的座位也常常是大家爭(zhēng)搶的地方。
We paid several return visits to JOYS after it went into operation. The shop owner always served coffee and dessert in an orderly manner, welcoming the customers who rushed to occupy a seat near the entrance.

05
剖面：光線進(jìn)入的方式
Section: the way light enters

剖面的深入研究，是集嶼這個(gè)項(xiàng)目成敗的關(guān)鍵。因?yàn)槲覀儾粌H要在小尺度里，找到更多功能的可能性和放置，還希望這個(gè)空間的采光可以得到改善。
A key factor that determines the success or failure of this project lay in the in-depth study of the cross section. We not only worked to create more functions and storage space on the small-scale site, but also expected to improve daylighting.

剖面研究 ?一乘建筑 Cross section diagram ?Onexn Architects

入口挑高這部分的改造，可以讓日光最大化的進(jìn)入到室內(nèi)，這對(duì)內(nèi)部空間有限的采光而言，有著非常積極的改善作用。燈箱這種手段更像一種“凸”的表達(dá)，而集嶼的入口更像是一種“凹”的表達(dá)，同樣是照明和標(biāo)志性，我們希望集嶼看上去有些不同，光的感覺(jué)也希望更柔和。
The raised height of the entrance maximizes the penetration of sunlight into the interior, hence dramatically improving daylighting. The light box and the entrance form an abstract contrast of the convex and concave. Through the entrance design, we hoped to give JOYS a different image and make the light appear softer.

集嶼入口 ?李金輝 Entrance ?Li Jinhui

正立面豎條形的采光高窗，少量的獲取著白天的光照，可以讓室內(nèi)保持一種寧?kù)o感。夜幕降臨，它所透出來(lái)的光線，又像是一只凝視著這個(gè)城市的眼睛。
A high strip-like window was carved out on the facade, to bring in some daylight while maintaining the sense of tranquility of the interior space. As night falls, the indoor light penetrates it, making it an ”eye” gazing at the city.

集嶼 ?李金輝 JOYS ?Li Jinhui

內(nèi)部看向入口 ?李金輝 View of the Entrance from the interior ?Li Jinhui

06
識(shí)別感：不存在的存在
Recognition: the existence of the non-exist
LOGO越大，功能的識(shí)別感越強(qiáng)，但當(dāng)LOGO弱化到極小的狀態(tài)時(shí)，我們是否就感知不到空間了？帶著這個(gè)設(shè)想，我們嘗試去用氛圍，而不是夸張的形式來(lái)創(chuàng)造識(shí)別感，就像諾伯爾·舒爾茨提到的 “特定性格與意義的場(chǎng)所”，集嶼的使命應(yīng)該是朝這個(gè)方向去努力。
The larger the LOGO is, the stronger the sense of identity it has. However, when the LOGO is minimized, will we not perceive the existence of the space? With this assumption, we tried to resort to atmosphere rather than exaggerated form to create identity and “a place of distinct character and meaning”mentioned by Christian?Norberg Schulz. This should be JOYS’ destiny and goal.

集嶼 ?李金輝 JOYS ?Li Jinhui

局部 ?李金輝 Details ?Li Jinhui

集嶼夜景 ?李金輝 Night view of JOYS ?Li Jinhui

集嶼就是一個(gè)精神的孤島，不在意喧囂也不在意冷漠，它完完全全的展開(kāi)和封閉，既是一個(gè)賣(mài)場(chǎng)，也是一個(gè)修心的地方。達(dá)到這種知行合一的狀態(tài)，取決于業(yè)主和設(shè)計(jì)師的高度契合。
JOYS is an isolated ”spiritual island” that doesn’t care about the hustle and bustle or the difference of the city. It’s completely open yet closed; it provides service yet also cultivates the mind. Its perfect integration of functionality and spirit is based on the consensus and tacit mutual understanding between the client and our team.

集嶼夜景 ?李金輝 Night view of JOYS ?Li Jinhui

因此，它看上去的“不知道是什么”，激發(fā)了人心深處的好奇，空間的氛圍反倒變成了全部，潛移默化的“生根”在這里，根本不需要去呼喊：“我在這里”，大家都明白。
At first glance, JOYS arouses people’s curiosity to explore what this place is. The atmosphere becomes everything. It’s rooted here. It doesn’t need to shout “I am here”, yet people can understand.

07
產(chǎn)品：體驗(yàn)閉環(huán)的觀看之道
Products: a closed loop of visual experiences

在室內(nèi)不足二米六的寬度下，去創(chuàng)造一個(gè)精確的體驗(yàn)和適度的留白是很困難的。我們通過(guò)對(duì)陳列架體網(wǎng)格化的設(shè)計(jì)，來(lái)控制它的起伏和大小，最終希望每一件物品都有一個(gè)獨(dú)立的陳設(shè)狀態(tài)。
It’s difficult to create precise experiences and leave proper moderate “blank” space within an area that is less than 2.6 meters wide. Thus, we resorted to the grid-like display racks to control the ups, downs and size of the field of view, hoping that each product is displayed independently.

柜體道具設(shè)計(jì) Cabinet design diagram ?Onexn Architects

模型 ?一乘建筑 Model ?Onexn Architects

柜體的形式做過(guò)多版方案，有最大化利用空間的，有嘗試特別的材質(zhì)語(yǔ)言的。最終我們保留的這一稿方案關(guān)鍵有兩點(diǎn)：一是把空間上半部分留白，讓弧線屋面產(chǎn)生消解的意圖更加強(qiáng)烈，二是柜體本身裝置化的靈活性。
There were several solutions for the cabinet form: one maximizing the utility of space; one adopting special materials, etc. The cabinet solution we finally chose has two important merits. Firstly, the cabinet is like an installation, full of flexibility. On the other hand, it leaves the upper half of the space empty, which helps ”dissolve” the curved ceiling.

定制柜體與門(mén)頭 ?李金輝 Customized cabinet and door head ?Li Jinhui

這是一個(gè)把錢(qián)花在刀刃上的項(xiàng)目，完善的咖啡和烘焙操作，獨(dú)立上下的個(gè)人休息區(qū)，這些在起初我們都覺(jué)得難以實(shí)現(xiàn)的命題，最終都逐一解決了。在十萬(wàn)元的預(yù)算內(nèi)，建筑師采取了很多辦法去節(jié)約成本和統(tǒng)籌工期，并且要保證結(jié)構(gòu)的安全性和材料的耐久度。
This is a project that required every cent spent in what’s really needed. Within the space, we set a holistic baking and coffee-making area as well as independent resting areas, while overcoming many other constraints. With a limited budget of 100,000 yuan, we took many measures to reduce cost and coordinate construction period, and at the same time worked to ensure the safety of the structure and the durability of materials.

夾層與咖啡區(qū) ?一乘建筑 Mezzanine and coffee area ?Onexn Architects

入口看內(nèi)部 ?李金輝 View of the interior from the entrance ?Li Jinhui

室內(nèi)空間 ?李金輝 Interior ?Li Jinhui

對(duì)于社區(qū)的居民而言，集嶼的存在填補(bǔ)了我們對(duì)美好的一種想象。城市空間的同質(zhì)化嚴(yán)重，集嶼并不是一個(gè)基因突變的結(jié)論，而是業(yè)主和建筑師關(guān)于美好記憶的延續(xù)。
For people in the neighborhood, JOYS has realized their imagination for good things. As urban spaces are becoming homogeneous, JOYS is not a genetic mutation, but a continuation of good memories of the client and our team.

模型 ?一乘建筑 Model ?Onexn Architects

立面圖 ?一乘建筑 Elevation ?Onexn Architects

平面圖 ?一乘建筑 Plan ?Onexn Architects

剖面圖 ?一乘建筑 Section ?Onexn Architects

項(xiàng)目名稱：集嶼 | JOYS
項(xiàng)目地點(diǎn)：深圳市福田區(qū)紅荔西路香蜜三村香居閣
設(shè)計(jì)團(tuán)隊(duì)：一乘建筑
主持建筑師：張博、王晶晶
團(tuán)隊(duì)：安炳祥、石秋楊、郭曉紅
施工圖：李南芳
施工：質(zhì)乘工坊
材料：水泥質(zhì)感涂料、方通、木飾面、磨砂亞克力、藝術(shù)玻璃
燈光：譜迪
規(guī)模：9平方米
設(shè)計(jì)周期：07/2019-08/2019
施工周期：08/2019-09/2019
攝影師：李金輝

Project name: JOYS
Location: Xiangmi Third Village, Hongli West Road, Futian District, Shenzhen, China
Design firm: Onexn Architects
Chief architects: Zhang Bo, Wang Jingjing
Design team: An Bingxiang, Shi Qiuyang, Guo Xiaohong
Construction drawings: Li Nanfang
Construction firm: Essence?Atelier?Engineering?Co.,?Ltd.
Main materials: cement-texture paint, square tube, wooden veneer, frosted acrylic, glass
Lighting design: PUDI
Area: 9 m2
Design phase: July-August 2019
Construction period: August-September 2019
Photographer: Li Jinhui