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＞維塔設(shè)計(jì) | 至簡(jiǎn)至素，無(wú)中萬(wàn)般有
維塔設(shè)計(jì) | 至簡(jiǎn)至素，無(wú)中萬(wàn)般有
參考造價(jià)：暫未填寫(xiě)|
風(fēng)格：新中式| 空間：四居及以上|
面積：270平米|
瀏覽數(shù)：7220
案例簡(jiǎn)介 Case description
無(wú)中萬(wàn)般有 當(dāng)其無(wú)，有室之用。
——《道德經(jīng)》
設(shè)計(jì)機(jī)構(gòu)｜維塔空間設(shè)計(jì)
Design agency | vita space design
軟裝及實(shí)現(xiàn) | vitaCASA
Furnishings design | VitaCASA
項(xiàng)目地址｜新天鵝堡二期
The project address is | SKYEY mansion
項(xiàng)目面積｜ 270㎡
Project area|｜ 270㎡
完成時(shí)間｜2020年5月
Completion time | May 2020
正因?yàn)榭帐幨幍?，才有無(wú)限填充的可能，這也是一種富有和自由的狀態(tài)。
It is precisely because of the silence and emptiness of the scene that infinite possibilities are filled, which is also a state of wealth and freedom.
It is precisely because of the silence and emptiness of the scene that infinite possibilities are filled, which is also a state of wealth and freedom.
人類(lèi)的本能，驅(qū)使著我們追求一切有關(guān)美的具體事物。
而家的存在，正是給我們提供一個(gè)契機(jī)——自由地按照自己的想法和實(shí)際需求，營(yíng)造理想的居住空間。
Human instinct drives us to pursue all the concrete things about beauty.
And the existence of the home, it is to provide us with an opportunity -- freedom according to their own ideas and actual needs, to create an ideal living space.
而家的存在，正是給我們提供一個(gè)契機(jī)——自由地按照自己的想法和實(shí)際需求，營(yíng)造理想的居住空間。
Human instinct drives us to pursue all the concrete things about beauty.
And the existence of the home, it is to provide us with an opportunity -- freedom according to their own ideas and actual needs, to create an ideal living space.
在這個(gè)項(xiàng)目中，我們遵循屋主的意愿，共同構(gòu)筑現(xiàn)代設(shè)計(jì)語(yǔ)境下的至簡(jiǎn)至素。
古韻之境，無(wú)關(guān)風(fēng)月，都是美的延伸和外化。
In this project, we followed the owner\'s will and designed a simple and elegant space together.
The state of ancient rhyme has nothing to do with beautiful scenery, but the extension and externalization of beauty.
古韻之境，無(wú)關(guān)風(fēng)月，都是美的延伸和外化。
In this project, we followed the owner\'s will and designed a simple and elegant space together.
The state of ancient rhyme has nothing to do with beautiful scenery, but the extension and externalization of beauty.
由入口處直入，我們進(jìn)入到了敞朗的客餐廳區(qū)域，借著落地窗外的陽(yáng)臺(tái)，我們自然而然地得知風(fēng)向哪里吹，陽(yáng)光從哪個(gè)方向來(lái)。
幾角陽(yáng)臺(tái)浮遠(yuǎn)樹(shù)，千姿百態(tài)的自然界自會(huì)吐露它的心聲。
Directly into the entrance, we enter the spacious and bright living and dining area. With a balcony outside a floor-to-ceiling window, we naturally know where the wind is blowing and which direction the sun is coming from.
On the edge of the ancient attic courtyard floated distant trees, spitting out their voices in a variety of natural Settings.
幾角陽(yáng)臺(tái)浮遠(yuǎn)樹(shù)，千姿百態(tài)的自然界自會(huì)吐露它的心聲。
Directly into the entrance, we enter the spacious and bright living and dining area. With a balcony outside a floor-to-ceiling window, we naturally know where the wind is blowing and which direction the sun is coming from.
On the edge of the ancient attic courtyard floated distant trees, spitting out their voices in a variety of natural Settings.
素雅的灰色做底，皮革柔軟、石塊堅(jiān)硬，木板柔韌，光在空間中悠悠流轉(zhuǎn)，人在此中，與自然界和諧共生。
The grey of simple but elegant makes a base, soft leather, hard stone, pliable wood, the light in the space is sufficient, let a person here, get along with nature harmoniously.
The grey of simple but elegant makes a base, soft leather, hard stone, pliable wood, the light in the space is sufficient, let a person here, get along with nature harmoniously.
在設(shè)計(jì)過(guò)程中，我們不被一些所謂的風(fēng)格、色調(diào)等羈絆，而是追求一種自然隨心的狀態(tài)。
In the design process, we are not bound by some so-called style, tone and so on, but pursue a kind of natural mentality.
In the design process, we are not bound by some so-called style, tone and so on, but pursue a kind of natural mentality.
餐廳一側(cè)，打造了整面的自然采光玻璃墻。手工質(zhì)感的黑色木餐桌與自然啞光的磨砂皮餐椅，在光的作用下，足以傳達(dá)出空間柔和而溫潤(rùn)的氣質(zhì)。
On one side of the dining room, large areas of clear glass are used. The black wood table of manual simple sense and the abrasive leather eat chair of natural matte light, below the action of the light, enough conveys the temperament that gives a space downy wen run.
On one side of the dining room, large areas of clear glass are used. The black wood table of manual simple sense and the abrasive leather eat chair of natural matte light, below the action of the light, enough conveys the temperament that gives a space downy wen run.
置入層巒疊嶂的端景，
與溫潤(rùn)的木飾面搭配，形成更豐富的景觀層次
On one side of the dining room is a glass art painting of the mountain,
Combined with the warmth of the wood fabric, it forms a richer layer of landscape
與溫潤(rùn)的木飾面搭配，形成更豐富的景觀層次
On one side of the dining room is a glass art painting of the mountain,
Combined with the warmth of the wood fabric, it forms a richer layer of landscape
自然的色調(diào)和簡(jiǎn)約的設(shè)計(jì)相融合，更體現(xiàn)主人的精神追求與藝術(shù)審美。
原木貫穿全案，形成視覺(jué)上的統(tǒng)一。在這樣一個(gè)高熵的、冗雜的世界里，來(lái)自大自然的色彩能夠照亮黯淡。
Natural tonal and contracted design photograph confluence, more reflect master spirit to pursue and artistic aesthetic.
In the whole project, the designer used a lot of light-colored wood to make the space more unified. In such a busy world, wood like the color from nature can illuminate the dim.
原木貫穿全案，形成視覺(jué)上的統(tǒng)一。在這樣一個(gè)高熵的、冗雜的世界里，來(lái)自大自然的色彩能夠照亮黯淡。
Natural tonal and contracted design photograph confluence, more reflect master spirit to pursue and artistic aesthetic.
In the whole project, the designer used a lot of light-colored wood to make the space more unified. In such a busy world, wood like the color from nature can illuminate the dim.
內(nèi)在充實(shí)，外在簡(jiǎn)約。我們?cè)谥髋P延續(xù)簡(jiǎn)潔、溫潤(rùn)的設(shè)計(jì)調(diào)性，去除人為裝飾，造就以人、以生活為中心的空間。
The inside is rich and the outside is simple. We are in advocate lie continuance concise, lukewarm embellish design is tonal, get rid of artificial adornment, make the space that is with the person this, take the life as the center.
The inside is rich and the outside is simple. We are in advocate lie continuance concise, lukewarm embellish design is tonal, get rid of artificial adornment, make the space that is with the person this, take the life as the center.
長(zhǎng)輩房及兒童房光而不耀，那些與人聯(lián)系緊密的物品在光影下顯露出各自的色彩、層次和肌理。
通過(guò)色彩的變化，沉穩(wěn)一輩的儒雅和大氣和年輕一代的俏皮與活力一一呈現(xiàn)。
The light of old people room and children room is not bright however, the thing that those are closely related with the person shows respective colour, level and grain below smooth shadow.
Through the change of color, from the mature atmosphere of the old people, the nifty and vitality of the young generation emerge one by one.
通過(guò)色彩的變化，沉穩(wěn)一輩的儒雅和大氣和年輕一代的俏皮與活力一一呈現(xiàn)。
The light of old people room and children room is not bright however, the thing that those are closely related with the person shows respective colour, level and grain below smooth shadow.
Through the change of color, from the mature atmosphere of the old people, the nifty and vitality of the young generation emerge one by one.
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