裝置藝術(shù)，是"場地+材料+情感"的綜合展示藝術(shù)。我們把整個(gè)作品看作一個(gè)藝術(shù)裝置，空間是場地，產(chǎn)品是我們的材料，而“圓”是我們情感表達(dá)的一個(gè)窗口。
Installation art is a comprehensive exhibition art of "venue + material + emotion". We regard the whole work as an art installation, the space is the site, the product is our material, and the "circle" is a window for our emotional expression.

古代人最早是從太陽、陰歷十五的月亮得到圓的概念。圓，是十分奇妙的形狀。世界是圓的，小到星球，大到太陽系、銀河系，甚至是我們未能一窺全貌的宇宙，雖難以論證，但許多科學(xué)家都提出了宇宙是圓的理論。時(shí)間是圓的，秒針、分針、時(shí)針走過的路徑是圓的，日夜更替、四季變換也正是圓的概念。生態(tài)循環(huán)是圓，能量守恒也是圓，機(jī)械運(yùn)轉(zhuǎn)也離不開圓。圓在人的精神領(lǐng)域更是不可或缺，人們追求圓滿的生活，圓滿的人生，做事上追求回歸初心，處世也講求圓滑，可以說圓是代表世間一切的美好與完美的形狀。所以說不管在物質(zhì)領(lǐng)域還是精神領(lǐng)域，沒有圓是無法運(yùn)轉(zhuǎn)的。設(shè)計(jì)師正是用圓來傳達(dá)物質(zhì)和精神雙領(lǐng)域的運(yùn)轉(zhuǎn)。
The ancients get the concept of circle from the sun, the moon of lunar calendar 15th. A circle is a very wonderful shape. The world is round, from the stars to the solar system, the Milky Way galaxy, and even the universe which we do not have a full view of. Although it is difficult to prove, many scientists have put forward the theory that the universe is round. Time is round. The path taken by the second hand, minute hand and hour hand is round. The alternations of day and night and the seasons are also the concept of a circle. Ecological cycle is a circle, energy conservation is also a circle, mechanical operation is inseparable from the circle. Circle is more indispensable in the spiritual realm of human beings. People pursue a perfect life, return to the original intention in doing things, and strive for smoothness in dealing with the world. It can be said that circle represents all the beautiful and perfect shapes in the world. So in both the physical and the spiritual spheres, it can't run without a circle. The designer uses the circle to convey the movement of both the material and the spiritual realms.

住宅發(fā)展到第三代變成了封閉式“囚籠”，沒有了幾千年來中國人傳統(tǒng)的前庭后院，老人和兒童過著封閉式的生活。因此設(shè)計(jì)師從自然生態(tài)里提煉出元素：倒掛的荷葉，沙漠紋地磚，最能傳神山水概念的水墨畫屏風(fēng)門，水波紋飾面，能同時(shí)表達(dá)山川與低谷兩種概念的等高線紋飾面，玄關(guān)處那個(gè)懸空的代表著“運(yùn)轉(zhuǎn)軌跡”的圓等等。這些元素和第四代“生態(tài)住宅”更配，但也給目前的第三代住宅帶來了更多的“生態(tài)”概念元素。設(shè)計(jì)師正是想通過這些元素將來自于大自然的奇妙魅力傳遞給更多的目前住在第三代住宅里的同胞們，讓同胞們在封閉式住宅里也能感受到來自大自然的治愈。
Third generation residence developed into a closed "cage", without the traditional front and backyard of Chinese people for thousands of years. The elderly and children live a closed life. Therefore, the designer extracted elements from the natural ecology: inverted lotus leaf, desert floor tile, ink painting screen door that can most convey the concept of landscape, water wave decorative surface, contour decorative surface that can simultaneously express the two concepts of mountains and valleys, the hanging circle in the porch that represents the "running track" and so on. These elements are more compatible with the fourth generation of "ecological housing", but also bring more "ecological" concept elements to the current third generation of housing. It is through these elements that the designer wants to convey the magic charm from nature to more compatriots living in the third generation residence, so that compatriots can feel the healing from nature in the closed house.