設(shè)計把空間劃分為前后兩個高度不同的空間，首先進入門口的前半部分是整個空間與外部環(huán)境相互吸引的視覺亮點，利用建筑本來的天然優(yōu)勢前半部分設(shè)置成一個挑高的空間，呼應(yīng)本店的“花園”主題選用富有自然質(zhì)感的粗材——麻繩，在主入口的挑高空間和樓梯上方設(shè)計了一組用線排列組合形成的“山形”藝術(shù)裝置，并從“山形”中穿插著隨意的燈泡點光源，宛如蜿蜒起伏的山脈上滿天繁星的美景，設(shè)計以粗材精作的理念把麻繩裝置發(fā)揮出遠遠超出其本身價值的作用。
In the design, the space is divided into two spaces of different heights. First of all, the front part at the entrance is the visual highlight of the entire space and the external environment to attract each other. Taking advantage of the building’s natural advantages, the front part of the building is designed to be a highly ceilinged space to echo with the store’s “garden” theme. A coarse material rich in natural texture – rope is selected to design a set of “mountain shape” art installation with line permutation and combination at the highly ceilinged space and the upper part of the ladder. Besides, bulb lights are interspersed in the “mountain shape” just like the stars on the winding mountains. In the design, the coarse materials and refined design make the rope have far more value than its own.

室內(nèi)除掉管道層的最低點只有約5M的高度，在如此尷尬的高度下設(shè)計需要考慮新增夾層來滿足業(yè)主的商業(yè)需求。所以在后半部分的空間設(shè)置成了兩層的用餐區(qū)域，在保證一層最低點高度在2.4米的基礎(chǔ)上，選用鏡面不銹鋼的材料來用作一層的天花鋪貼，由于鏡面不銹鋼表面的不平整原理，使天花呈現(xiàn)出猶如水紋的夢幻效果，并且一定程度上降低了一層層高不足的壓抑感。
Indoors, the lowest point except the pipeline isonly about 5m high, which is an awkward height. In the design, the designerneeds to consider adding additional mezzanine to meet the house owner’sbusiness needs. Therefore, the latter part of the space is designed into atwo-layer dining area. While guaranteeing the height of the lowest point is at2.4m, the mirror stainless steel material is used as a layer of the ceilingtiles. Because the stainless-steel mirror surface is rough and uneven, theceiling has a dreamy effect like the water wave, which reduces the sense ofoppression caused by the insufficient height of the layer.

在夾層立面上設(shè)計也略為其考慮了一下體塊視覺的效果，在立面上運用灰鏡來弱化柱位以及牆體的存在，視覺上夾層猶如兩個巨型的方盒懸停在空中，并配以綠植隨意地下隨，營造了一個室內(nèi)的空中花園；
In the design of the sandwich fa?ade, the blockvisual effect is also taken into consideration. In the fa?ade, the grey mirroris also used to weaken the existence of the column and wall. The visualsandwich is like two huge boxes suspending in the air visually with freelyplanted plants to create an indoor air garden.

主材的選擇上同樣呼應(yīng)“花園”主題採用水泥漆、麻石、木飾面等自然色系的材質(zhì)來潤色室內(nèi)的氛圍。在主入口用餐區(qū)的隔斷和樓梯的隔斷特意選用了POBO的白色漸變玻璃，為空間的氛圍蒙上一層朦朧的薄霧。設(shè)計在樓梯處巧妙地用了一面通頂?shù)你y鏡，把整面的綠植牆和“山形”裝置的景象和空間感得以延伸，在吧臺的設(shè)計上運用的體塊加減的手法，通過材質(zhì)與材質(zhì)間的鑲嵌切割而成，在地面材質(zhì)的鋪貼形式上也採用不同的磚來劃分出不同的區(qū)域，例如吧臺座椅的區(qū)域採用花磚劃分，在實用與美學之間取得了平衡。
In the selection of main materials, echoing the“garden” theme, the cement paint, granite, veneer and other materials withnatural color to polish the indoor atmosphere. At the partition of the mainentrance of the dining area and the stair partition, the POBO white colorgradient glass is used to cover the space with a hazy haze. In the design, asilver mirror is cleverly used at the stair to extend the entire wall of greenplants and “mountain shaped” scenery and space. In the design, the block addingand decreasing technique is used. Materials are cut and inset and differenttiles are used in the ground paving to divide the bricks into different areas.For example, the bar seat area is divided with tiling achieving a balancebetween practice and aesthetics.